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The Danger of a Single Story


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Start the story with the arrows of the Native Americans, and not with the arrival of the British, and you have an entirely different story.
Start the story with the failure of the African state, and not with the colonial creation of the African state, and you have an entirely different story.
I recently spoke at a university where a student told me that it was such a shame that Nigerian men were physical abusers like the father character in my novel.
I told him that I had just read a novel called "American Psycho" --
-- and that it was such a shame that young Americans were serial murderers.
Now, obviously I said this in a fit of mild irritation.
But it would never have occurred to me to think that just because I had read a novel in which a character was a serial killer that he was somehow representative of all Americans.
This is not because I am a better person than that student, but because of America's cultural and economic power, I had many stories of America.
I had read Tyler and Updike and Steinbeck and Gaitskill. I did not have a single story of America.
When I learned, some years ago, that writers were expected to have had really unhappy childhoods to be successful, I began to think about how I could invent horrible things my parents had done to me.